演講II：華瀾教授
26 MARCH 24
NPM-EFEO 專題演講
主講人：
華瀾教授
法國遠東學院教授
講題：
中國祭祀圖像：從肉身到神像，從寺廟到家壇
日期：
2024. 4. 10 (週三)14:00
地點：
故宮南院集賢廳
摘要：
Considered to be alive, statues of deities in China were partly inherited from mummies, particularly Buddhist mummies. From the earliest known remains, two trends emerged: the mummy became statuesque or the statue inherited a real body. A text by Du Guangting 杜光庭 (850–933) describes viscera inside a statue, and the Shakyamuni statue of the Seiryōji 清凉寺 temple in Kyoto, made in China, reveals organs made of cloth. This tradition would evolve in Japan with metal viscera. These creations from the great sanctuaries seem to find avatars in popular statuary in China, and more specifically in Hunan province.Thanks to computerised cataloguing of several collections, it is now possible to identify the interior of these statues, most of them domestic, which includes materia medica and a written document revealing the name of the statue, the patrons and the sculptor, as well as a precise address, the date of consecration and the wishes expressed. This is a wealth of information that, for the first time, provides access to a popular production that generally suffers from a distinct lack of concrete historical information.
此為中文演講。自由入座，無須報名。
同步直播: https://www.facebook.com/npmsouth
演講
主講人：
華瀾教授
法國遠東學院教授
講題：
中國祭祀圖像：從肉身到神像，從寺廟到家壇
日期：
2024. 4. 10 (週三)14:00
地點：
故宮南院集賢廳
摘要：
Considered to be alive, statues of deities in China were partly inherited from mummies, particularly Buddhist mummies. From the earliest known remains, two trends emerged: the mummy became statuesque or the statue inherited a real body. A text by Du Guangting 杜光庭 (850–933) describes viscera inside a statue, and the Shakyamuni statue of the Seiryōji 清凉寺 temple in Kyoto, made in China, reveals organs made of cloth. This tradition would evolve in Japan with metal viscera. These creations from the great sanctuaries seem to find avatars in popular statuary in China, and more specifically in Hunan province.Thanks to computerised cataloguing of several collections, it is now possible to identify the interior of these statues, most of them domestic, which includes materia medica and a written document revealing the name of the statue, the patrons and the sculptor, as well as a precise address, the date of consecration and the wishes expressed. This is a wealth of information that, for the first time, provides access to a popular production that generally suffers from a distinct lack of concrete historical information.
此為中文演講。自由入座，無須報名。
同步直播: https://www.facebook.com/npmsouth
演講